35 in dog years

Kaiser turned 5 today!

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Spoon-fed

Some of my photos of chef John Maher have recently been published in Richmond Magazine, Richmond.com, and GayRVA. The first installment of Maher’s recurring pop-up restaurant, Spoon, will take place at Pasture on May 20. Check out the menu and order tickets here!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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No. 9

Nine years ago last night I got a call from my wife as I came off stage from a Meanflower show in Fredericksburg. Her water had broken and it was time to go to the hospital. I skipped the load-out and hurried home to find her packed up and waiting patiently. This was the second baby, after all, so things were oddly calm.

We settled in at the hospital by 2 or 3am, me with sweat stains on my shirt, wreaking of cigarettes and beer. I remember a nurse asking my wife “do you want him to stay?” Luckily, she did!

Finally, at 7:20am, she arrived… an angel.

Happy birthday, Olivia Grace!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Instant Kids

I’m pleased to have won the SNAP! Magazine/Impossible Project Photo Competition with this shot from 2009. All the credit should probably go to Ethan, though. Aside from some truly magical window light and a small bit of fill, the amazing pose he struck is what really makes the shot. I made a portrait of Grace, too. In her case, it’s her obvious impatience that works for the photo!

Keep an eye out for more instant film goodness, ’cause here’s what I won.

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Craftsmanship – the beginning of a personal project

For over a year now I’ve had an idea for a photo project incubating in the back of my mind. Based on observations and experiences, the gist of it is the distinction between craftsman vs. technician, although it took a conversation with my friend Gary to properly label the latter. For the project I’ll be focussing only on the craftsman part.

Not trying to slight the technicians, but what I’m really interested in is people who do what they do so well and with such passion that they elevate it to an art form. Granted, the guy machining grommets at the local factory doesn’t need to be passionate to be successful, and that’s fine. But certain vocations, at least at the upper end, are best approached by true artisans… a chef. A photographer. Definitely musicians, actors, and designers. Carpenters. All are disciplines in which craftsmanship should play a role. All can be made or broken in that last five percent. That’s where the craftsman lives – in that five percent where utility gives way to beauty. There are plenty of technicians out there who know the “right” way to cook an egg or play a paradiddle; know the rule-of-thirds or can memorize lines for a play, but a craftsman approaches his task differently. It sounds cheesy but it’s true: a craftsman works lovingly.

I happen to think a lot of technological factors tend to diminish craftsmanship as well. Surely people have looked at Joel Bukiewicz and said “dude, they’ve got machines for that” before happily buying a set of Henckels. As primarily a film photographer, people have often told me I could use photoshop plug-ins to get “that look.” But tell that to Dave Burnett or Christopher Wahl. Tell Eric Ripert it might be more cost effective to buy his tuna from Starkist. Craftsman vs. technician lies between the lines. It’s the thing you can’t put your finger on but is also so obvious when you experience it. You notice it in the way a singer or a song emotes. As a drummer I was always intimidated by guys with great chops, the guys who could play the smoothest swiss triplet you ever heard. But over the years I’ve come to realize what it is people like about my playing. It’s the feel; the thing that can’t be taught. The air between the notes rather than the notes themselves. It just IS. It’s something my friend, Chef Johnny, calls soigne.

You’ll be hearing more about Chef Johnny as his pop-up restaurant, Spoon, approaches. A recurring, ever-changing culinary event taking place in different venues, his inaugural Spoon 1.0 will be held at Pasture on May 20th (he’s already sold out one seating so I recommend getting your tickets now!) and promises to be a beautiful example of culinary craftsmanship.

This is Mattias. He’s a craftsman. He runs the bar at Comfort and will also devise a cocktail for each course at Spoon 1.0.

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This is Ethan

My son, Ethan, is eleven years old. He’s getting braces today, so I thought I would get a portrait of him beforehand. It really doesn’t matter that he’s not showing his teeth in this shot, though.

Being his dad has made me twice the man I used to be.

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Bucket

Everyone responded favorably to the Studio B/RPG teaser so I thought I would post a full-length music video I made for local rock trio, Bucket, last year. The live footage is from Republic and the other location was a friend’s building in Petersburg.

Bucket is a band I co-founded with Lewis Harris and Mitch Taylor in 1992…. that’s right, twenty years ago! Hard to believe it’s been that long. I moved to Boston the following year and Bucket fans have since referenced different eras of the band’s history by which drummer was involved. The latest incarnation, represented here, has Ricky Tubb on skins.

Lewis and Mitch are two of the best songwriters I’ve ever encountered. The band is not active at the moment, but if you ever hear of a Bucket gig you should definitely try and catch it.

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The Pictures Are Moving

I’ve recently been getting involved with local radio show Studio B. Good friend, Jay Smack, started the show 17 years ago (gasp!) and has used it as a platform to promote local artists ever since. Through three format/station changes, Studio B has remained a reliable constant in the otherwise fickle world of local radio programming. The show airs every Sunday at 11:00pm on its current home, 102.1 the X, and should be on your radar if you have even the slightest appreciation for actual musicians writing actual music and playing actual instruments. A new Studio B website is in the works and, given the show’s value to the RVA scene (it’s been said that Jay Smack does more for local music than local music does for itself), I wouldn’t be at all surprised to see an expansion into other media in the near future.

Shooting video for the show was a lot of fun, but I’ve also had the pleasure of performing on Studio B with Tom McCormack (pictured below with Smack during a 2009 broadcast) and playing, engineering, or producing on records featured on the show at one time or another. I’ll be the first to say the New Media is very cool but, for a guy who grew up in the 70′s, being played on the radio is still hard to top.

 

 

 

 

 

 

 

 

 

 

This past week, Studio B was recorded by Daniel Deckelman at Snake Oil Recording and featured stalwart Richmond heavies, RPG. I’m going all cheesy-rock-critic dropping “stalwart” and “heavies” because these guys truly are both. I shot very little footage, hence the mercilessly short edit of their new song, “Southern Girls”, so be sure and check out the new record “High Loathsome” which I believe is being pressed on 180 gram vinyl at this very moment.

This video can be seen at RVA.com this week as well, where you’ll also learn a bit more about the new RPG record.

 

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Shooting My Food

I’ve been doing a lot of Chinese cooking lately. This is an incredible pork dish along with some baby bok choy.

I should probably stop shooting my food, though… especially while the fam is waiting for their meal!

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In Defense Of Tungsten Lighting

Once when I was a kid, my mom dropped and broke a thermometer. I remember the two of us chasing a wiggly little ball of mercury around the carpet with a piece of cardboard. She didn’t let me touch it, but I’m pretty sure we didn’t turn on fans or open windows or throw away the clothes we were wearing or triple bag, seal with tape, and dispose of all cleanup materials. But then it was the 70′s; we also never wore seat belts, so what did we know?

I only bring this up because with a ban on the incandescent light bulb beginning this year, mercury is often cited as the main reason for criticism of the new CFL (Compact Fluorescent Lamp) design. While meddlesome government regulation and dire warnings about breakage do cause me some concern, I must admit my real issue with the ban is much more selfish than that; it’s about color temperature.

It’s bad enough that CFL’s contain mercury, are weirdly misshapen, aren’t dimmable, create RF interference, spew ultraviolet light, can’t handle voltage spikes, and make us look like shit in the bathroom mirror, but what will we photographers do without that warm tungsten filament glow? I prefer to keep my daylight outside and my warm tungsten in, thank you very much. In fact, I really love it when both warm and cool light sources are successfully combined in the same image. This shot taken at the bar in Kuba Kuba is a good example. I used tungsten balanced film to capture a clean, true-to-life image of the subject under indoor lighting, while the daylight filtering in behind was rendered a dramatic blue.

 

 

 

 

 

 

 

 

 

 

 

 

 

Sure lighting technology has advanced in leaps and bounds and between CFL’s, LED’s, halogens, and whatever else is out there, consumers will probably have no problem finding warm, pleasant lighting for living rooms and hallways, offices, bathrooms, ovens, car interiors even, but sometimes I’ve just gotta bitch.

Sometimes change is annoying. Sometimes it’s not for the better.

If it aint’ broke don’t fix it…

and it aint’.

Now if we could only decide on ‘color’ or ‘colour’.

Here are a few photos where I used the “wrong” color temperature for dramatic effect.

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